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平均律绘画:(Temperament Painting)也可称:“律性绘画”或简称“音乐绘画 Music paintings,从方法上讲,这是一种基于对绘画中存在的自然法则成分(离散频率分布逻辑及作用方式。)进行定性、定量分析的绘画研究、创作方法,该方法还涉及到一个古老的世界观:音乐的普适性(音乐宇宙)问题。

历史编辑

The interest in synesthesia is at least as old as Greek philosophy. One of the questions that the classic philosophers asked was if color (chroia, what we now call timbre) of music was a physical quality that could be quantified (Campen 2007, Gage 1994, Ferwerda & Struycken 2001, Jewanski 1999). The first known experiment to test correspondences between sound and color was conducted by the Milanese artist Giuseppe Arcimboldo at the end of the sixteenth century. He consulted with a musician at the court of Rudolph II in Prague to create a new experiment that sought to show the colors that accompany music. He decided to place different colored strips of painted paper on the gravicembalo, a keyboard instrument (Gage, 1994). The problem of finding a mathematical system to explain the connection between music and color has both inspired and frustrated artists and scientists throughout the ages. The seventeenth-century physicist Isaac Newton tried to solve the problem by assuming that musical tones and color tones have frequencies in common. He attempted to link sound oscillations to respective light waves. According to Newton, the distribution of white light in a spectrum of colors is analogous to the musical distribution of tones in an octave. So, he identified seven discrete light entities, that he then matched to the seven discrete notes of an octave (Campen 2007, Peacock 1988).

歌德编辑

歌德在1807年说过一句著名的话:绘画缺乏犹如存在于音乐之中那种既定的,公认的理论,歌德在1807年提出了在音乐理论模式下建立绘画理论的著名想法;

牛顿编辑

The seventeenth-century physicist Isaac Newton tried to solve the problem by assuming that musical tones and color tones have frequencies in common. He attempted to link sound oscillations to respective light waves. According to Newton, the distribution of white light in a spectrum of colors is analogous to the musical distribution of tones in an octave. So, he identified seven discrete light entities, that he then matched to the seven discrete notes of an octave (Campen 2007, Peacock 1988).

十七世纪物理学家伊沙克.牛顿尝试解决这问题,假设音乐律调与色彩律调有着共同的频率分布过程(逻辑),他试图整合,关联声音的振幅到离散的光波,根据牛顿的假设,色彩光谱的白色光的分布类似这音乐律调的八度音阶内的分布,据此他确定了七个离散色光的成立,并且能匹配一个八度音阶内的七个离散的音调。(Campen 2007,Peacock 1988)。

康定斯基编辑

保罗.克利编辑

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